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A railway controller and his sweetheart live in peace next to the railway tracks. Out of nowhere, an umbrella flies into their life. They try to catch it, and finally do manage to grasp it for a short moment, but it slips away and then disappears.
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Taking the visual worlds of famous painter Niko Pirosmani (1862–1918) as his starting point, Parajanov evokes, reflects on and shows his great appreciation for the artistic universe of the Georgian artist, his still lives, portraits and genre scenes. A surrealistic and phantasmagorical essay.
Paul, an irritable and stressed-out hotel manager, begins to gradually develop paranoid delusions about his wife’s infidelity. As he succumbs to green-eyed jealousy, his life starts to crumble. Each step on his downward spiral to madness seems to accelerate, driving him further along the path to a personal hell. Finally, the former shell of his personality cracks completely, with tragic consequences.
A serial killer uses a horror video rental to lure his next victim. What begins as a teen slasher transforms into a disturbing journey through the mind of Max Parry, a mild mannered wedding photographer with a taste for human flesh.
Evoking mixed marriages and their difficulties, the author depicts the journey of a young black husband, an elegant dandy, who has come to Paris to find his young white wife and their little daughter. This social satire is the feature-length directorial debut of Désiré Ecaré, originally from Côte d’Ivoire.
A quality war film does not necessarily need spectacular aerial dogfights and bombed cityscapes. Only those movies have truly something to say that go beyond the crack of rifle fire to present personal dramas as well. Ferenc Kósa’s unusual, pacifist war film depicts the hell of carnage in all its senselessness. Characters of this gaunt, tight-lipped story wander through a beautiful landscape seeking their own truth or just the possibility of survival. The film is all the more memorable for the cinematography of Sándor Sára, the powerful screenplay and the acting of, for instance, Péter Haumann.
ON A TIGHTROPE is a heartwarming and beautiful documentary film with a grave backdrop. The documentary follows four children at a government orphanage in Xinjiang, China. The four are learning the ancient Uyghur tradition of Dawaz, tightrope walking. The children’s struggle to master the tightrope becomes a metaphor for their lives, as they walk the line between being true to their cultural and religious heritage and the communist party’s harsh demands for obedience.
This provocative short documentary film is a private testimonial on the body of the director’s mother, who, in the presence seen and felt, reveals, the physiognomy of old age. The camera intimately undresses and examines the obese and exhausted body. But the film bears above all a sentimental tone. The widow recalls her housband, would be happiest if she could turn back time, and sobs.
Davey, a talented young chess player, and Wil Bevan, his history teacher, are in Bournemouth for the British Chess Championships. When Davey meets up with Helen, a punk girl from London, Wil is faced with the problem of steering his charge through the championship and the trauma of first love.
In an open field, a butterfly flies from flower to flower. The charming image is interrupted by cut-out photos of apartment blocks and flats that jump into view to the rhythm of a pile driver. The butterfly is increasingly hemmed in by the buildings, until there’s no more space left, and it is finally mounted and framed on a wall. The last of its kind died in 1975.
